| | | | | “陌生化”与“非人化”——什克洛夫斯基与奥尔特加的比较 | | | 杨向荣 | | | 什克洛夫斯基和奥尔特加分别提出"陌生化"和"非人化"概念,他们都试图跳出传统文艺观的束缚,实现对传统文艺观的革命与反叛。这恰恰体现了二十世纪文艺美学的两种转向:语言学的转向和批判理论的转向。"陌生化"与"非人化"表征了二十世纪以来西方文艺美学发展的两个主要方向:一个立足于从纯美学或纯艺术的角度来考察美学或艺术,另一个则立足于从文化社会学的角度来考察分析问题。
【作者单位】：湘潭大学文学与新闻学院 湖南湘潭411105
【关键词】：陌生化;非人化;语言学转向;批判理论转向
【基金】：湘潭大学博士启动基金资助项目(06QDB12):“陌生化”诗学与中国古典诗学中的“新奇”诗论比较研究
【分类号】：I512
【DOI】：CNKI:SUN:VOUS.0.2007-04-002
【正文快照】：
一“陌生化”(Defamiliarization)是俄国形式主义文论家什克洛夫斯基所提出的一个诗学概念。此概念的提出是伴随着俄国形式主义的另一个概念———“文学性”(Literariness)而提出的。什么是“文学性”?雅可布森在论文学科学的对象时说:“文学科学的对象不是文学,而是‘文学性 | | |
| | |  推荐 下载CAJ全文  下载PDF全文 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | Defamiliarization and Dehumanization——The Comparison of Shklovsky and Ortega | | | YANG Xiang-rong | | | Shklovsky and Ortega put forward the concepts of "Defamiliarization"and "Dehumanization" respectively.They attempt to jump out of the ties of traditional literature and art,and realize the revolution and betray for the traditional literature and art's ideas,which just have embodied the two turns of aesthetics and literature and art of 20 century: Linguistics Turn and Critical Theory Turn."Defamiliarization" and "Dehumanization" have represented two major directions that the western aesthetics of literature and art develops since 20 century: One analyze problems of aesthetics or art by the angle of pure aesthetics or pure art,another analyze problems of aesthetics or arts by the angle of cultural sociology.
【Keyword】：Defamiliarization;Dehumanization;Linguistics Turn;Critical Theory Turn |
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