| | | | | 浅谈龚贤笔墨风格与画论 | | | 张小军;刘慧敏 | | | 龚贤的山水画浑厚、苍茫。在笔墨的运用上,他独辟蹊径的创造了“黑龚”风格。他手中画笔所表现的是壮美的自然,又是心中的自然。龚贤的画论为我们指明学习中国画“源”与“流”的关系问题。
【作者单位】：浙江师范大学美术学院 浙江金华321004(张小军);西安美术学院油画系 陕西西安710065(刘慧敏)
【关键词】：龚贤;笔墨;气韵;黑龚;圆;润
【分类号】：J205
【DOI】：CNKI:ISSN:1671-9743.0.2007-04-022
【正文快照】：
在中国古代诗、书、画三位一体是衡量文人艺术的重要标志。清初的“金陵八家”中能在此三方面均取得卓然成就的惟龚贤一人。龚贤,又名岂贤,字半千,号柴丈人,野遗,江苏昆山人。幼年时随家迁往南京,后曾在扬州生活,晚年居南京清凉山下。龚贤一生在诗、书、画上均取得令人敬慕的成 | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | A Discussion on the Style and the Art Theory of Gong Xian's Artwork | | | ZHANG Xiao-jun;LIU Hui-min (1.Art College;Zhejiang Normal University;Jinhua;Zhejiang 321004; 2.Oil Painting Department;Xi'an Fine Arts College;Xi'an;Shanxi 710065) | | | Gong Xian's artwork is full-bodied and vast.The style of his drawing is “Black-Gong”, which is created by himself.In his works ,the beautiful nature and the dreaming nature are all include.Gong Xian's art theory told us the relation between “the fountainhead”and “the evolution” in the Chinese painting study.
【Keyword】：Gong Xian;brush pen and Chinese ink;lingering charm,“Black-Gong”;mellow;full-bodied |
| | | | | | 1 | 刘宇甲; 论龚贤之探索性绘画 [A];春华秋实——江苏省美学学会（1981—2001）纪念文集 [C]; 2001年 |
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