| | | | | 清代文论对“韵”范畴的阐说 | | | 胡建次 | | | 清代文论对“韵”范畴的阐说,主要体现在两大领域:一是诗论中对“韵”范畴的阐说;二是词论中对“韵”范畴的阐说。其内容,主要表现在三个维面:一是对“韵”作为文学审美之本的标树,二是对“韵”审美特征的探讨,三是对“韵”的创造与生成的考察。清代文论对“韵”范畴的阐说,为我们今天更好地把握“韵”的审美范畴提供了平台。
【作者单位】：南昌大学中文系 江西南昌330047
【关键词】：清代文论;“韵”范畴;维面;阐说
【分类号】：I207.23
【DOI】：cnki:ISSN:1008-018X.0.2006-06-000
【正文快照】：
渺不定的特征,见出了“境界”更适合用于概括词作的审美本质。其又云:“南宋词人,白石有格而无情,剑南有气而乏韵。其堪与北宋人颉颃者,唯一幼安耳。近人祖南宋而祧北宋,以南宋之词可学,北宋不可学也。学南宋者,不祖白石,则祖梦窗,以白石、梦窗可学,幼安不可学也。学幼安者率祖 | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | Explanation of "Yun"(Rhyme) In the Literary Theory of the Qing Dynasty | | | HU Jian-ci(Department of Chinese Language & Literature;Nanchang University;Nanchang 330047;China) | | | The explanation of the category of "Yun"(rhyme) in the literary theory of the Qing Dynasty was mainly embodied in two fields: the explanation of the poetry theory and of the Ci-theory.Its contents were mainly embodied in three aspects: praising it as the poetry aesthetic root,probing its aesthetic characteristic,inspecting its creating and producing.The explaining of "Yun" in the literary theory of the Qing Dynasty provides a platform for us in understanding the aesthetic category of "Yun".
【Keyword】：the literary theory in the Qing Dynasty;category of "Yun";aspect;explanation |
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