| | | | | 晚明闺阁曲家群体形成原因初探 | | | 王莉芳,赵义山 | | | 明代中后期,女性曲家的构成由元曲中清一色的风尘女子,一变而为风尘女子与闺阁女子并存的新局面,尤其在晚明还形成了一个闺阁曲家群体。这个新的曲家群体的形成,其原因在于:首先是随着理学思想约束的松动,使闺阁女性文化水平普遍提高,并且能较为自由地参与社会文化活动;其次是晚明浓厚的曲学氛围为闺阁女性习染词曲提供了良好条件;再次是家庭成员的影响起到直接的促进作用;最后是曲文学自身题材内容的变化使闺阁女性容易对其产生亲和感。
【作者单位】：华南师范大学中文系 广东广州510631
(王莉芳);佛山科学技术学院中文系 广东佛山528000(赵义山)
【关键词】：明代曲学;晚明;女曲家;戏曲;散曲
【分类号】：I207.24
【DOI】：cnki:ISSN:1008-018X.0.2005-02-004
【正文快照】：
曲文学从元代兴盛以来,就陆续有一些女性涉足其中,现有作品存世的元代女曲家共有9位,皆为风尘女子,现存小令6首,套数3篇及两支残曲[1]。而情况到了明代则有了显著变化:一是女曲家人数和作品数量明显增多,现有作品存世的女性曲作者共有30位左右,共存小令约147首,套数17篇,剧曲2种[2,3,4,5];二是女性曲家的身份也不再局限于风尘女子,而是有了闺阁曲家染指散曲创作,在明中叶出现了黄峨这位号称“曲中李清照”的闺阁散曲大家。到了晚明,更涌现出10多位闺阁曲家,构成了一个闺阁曲家群体。对于女性曲家构成的这一变化,曲学界尚未引起足够重视… | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | A Preliminary Probe into the Reasons for the Forming of Female Play Writer Group in the Late Ming Dynasty | | | WANG Li-fang~1;ZHAO Yi-shan~2(1.Chinese Department;South China Normal University;Guangzhon 510631;China;2.Chinese Department;Foshan University;Foshan 528000;China) | | | During the middle and late Ming dynasty, there appeared a new phenomenon among female play writers who were composed of courtesans and ladies from cultural families, especially in the late Ming Dynasty, there formed a female group in play writing. The reasons are the following: first, ladies from respectable families were generally well-educated and could take part in many social activities freely; second, they lived in the strong play-writing circumstances; third, they were influenced by their family members; forth, the change of play writing topic and content attracted them.
【Keyword】：Qu in the Ming dynasty;the late Ming;female play writers;play;San-qu |
| | | | | | 1 | 赵山林; 金元词曲演变与音乐的关系 [A];中国诗歌与音乐关系研究——第一届与第二届“中国诗歌与音乐关系”学术研讨会论文集 [C]; 2002年 |
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