| | | | | 李贺诗歌中的通感与想象 | | | 谭娅,陈宪年 | | | 李贺是中国古代诗人中将通感艺术运用最多、运用最妙的一位。他具有奇特大胆的想象力,通过直觉、幻觉,将自己激愤压抑与迷惘感伤的愁苦心情表达出来。客观物象经作者的内心体验而发生位移、变形,依作者的审美趣味和理想而重组,在这个切割组接过程中,大量想象参与了的通感艺术起了关键作用。
【作者单位】：华南师范大学中文系 广东广州510631
(谭娅);佛山科学技术学院科研处 广东佛山528000(陈宪年)
【关键词】：李贺;诗歌;通感;想象
【分类号】：I207.22
【DOI】：cnki:ISSN:1008-018X.0.2003-04-005
【正文快照】：
在群星灿烂的中唐诗坛上,只在生命旅途上跋涉了27个春秋的李贺却像天空中划过的闪亮流星,引人注目并对后世诗歌产生了很大影响。在强大的现实主义潮流面前,李贺也确算有几分离经叛道,难怪余光中先生曾评价李贺说:“他的超现实主义和意象主义的风格,和现代诗是呼吸同一种艺 | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | Synesthesia and Imagination in Lihe's Poetry | | | TAN Ya~1;CHEN Xian-nian~2(1.Chinese Department;South-China Normal University;Guangzhou 510631;China; 2.Scientific Research Office;Foshan University;Foshan 528000;China) | | | Li He, a Chinese ancient poet, adopted synesthesia most and applied it excellently. He had peculiar and bold imagination and expressed his sorrowful distress and mood by means of intuition and illusion. According to his aesthetic taste and aesthetic ideal, Li He rebuilt the objects which were transformed from his inner experience. It is imagination or synesthesia that plays a key role in the course of the objective regrouping. A basic approach and introductory discussion are illustrated in this paper.
【Keyword】：Li He's poetry;synesthesia;imagination |
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