| | | | | 《藤花亭曲话》简论 | | | 文春梅 | | | 梁廷柟是晚清一位比较有影响的曲论家 ,其《藤花亭曲话》体现出将戏曲艺术引导归复到正统文学阵营的“雅”化倾向 :认为戏曲应该在“有功世道”方面体现价值 ;在文词方面则要求含蓄典雅 ,力忌鄙俗 ;戏曲故事只要符合伦常义理与生活逻辑就可以虚构 ;情节关目的设置则要以“奇”为标准。在封建社会晚期这一大文化背景之下 ,戏曲理论创新的空间日益狭小 ,复归与集成正是主流所在。
【作者单位】：佛山科学技术学院中文系 广东佛山528000
【关键词】：梁廷柟;《曲话》;正统文学观;雅化
【分类号】：I207.37
【DOI】：cnki:ISSN:1008-018X.0.2002-04-015
【正文快照】：
《藤花亭曲话》(亦称《曲话》)为晚清梁廷早年所著 ,成书于道光五年 (182 5 ) ,共五卷 ,不仅分类汇录杂剧传奇剧目共一千余种 ,而且论及剧本的辞藻风格、剧情安排、格律韵谱等诸多方面 ,其真知灼见 ,每为今世曲学者称引。然而 ,因作者处于古典戏曲理论的衰退期 ,其“曲话”体式又较为零散 ,使得《曲话》并没有得到应有重视 ,迄今尚无专门的研究和论述。我们认为 ,《曲话》中所体现出来的戏曲理论思想带有明显的“雅化”倾向 ,作为晚清一位较有影响的曲论家 ,其观点正是中国古典戏曲理论发展到晚期 ,向着正统文人文学观全面复归的典型代表 … | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | A Brief Study of Comments on Teng Hua Ting Qu | | | WEN Chun mei (Chinese Department;Foshan University;Foshan 528000;China) | | | Liang Ting Nan was an influential opera theorist in the late Qing Dynasty. His Teng Hua Ting Qu is the embodiment of restoring traditional opera art to the refinement of formal literary field, that is, its value is of great importance to the manners and morals of the time; in the aspect of diction, it should be implicit and graceful, never be philistine; the story can be made up only if it is relevant to the ethics and life logic, the standard of the plot's setting must be based on 'unexpected'. Under the cultural background of the late feudal society, the opera theory's composing space became narrower and narrower, restoration and integration were just the mainstream.
【Keyword】：Liang Ting Nan;Comments on Teng Hua Ting Qu;conventional literary views;refinement |
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