| | | | | 论《格萨尔》说唱曲调的程式化传承 | | | 王时 | | | 《格萨尔》文学唱词和音乐的调式、节奏规律都是吸收和借鉴具有浓厚地域特色的西藏农业区和牧区的广为流传的山歌、牧歌和强盗歌的内容和形式而成的。在说唱的唱腔中,民歌中的三段二句这种程式,正好反映了《格萨尔》曲调的ABC变奏曲式结构,与民歌曲式高度一致,同时,主段重复或变化重复首段,为歌手即兴创作演唱提供了现成的结构模式,艺人或歌手只要根据这程式,填充具体词句就可以完成其创作表演了。
【作者单位】：西北民族大学音乐舞蹈学院 甘肃兰州730030
【关键词】：《格萨尔》;唱词结构;音乐曲调;程式化传承
【分类号】：J614
【DOI】：CNKI:SCN:35-1240.0.2007-01-021
【正文快照】：
藏族英雄史诗《格萨尔王传》是迄今为止世界上最长的史诗,现已发掘120部,150万诗行,字数达1300多万字。史诗出场人物3000多人,形象鲜明的主要人物80余人。史诗为说唱体,结构严谨,文字朴实,语言生动,具有鲜明的民族性、人民性,是藏族人民智慧的结晶,是一部极具神奇色彩的古代藏 | | | | | |  推荐 下载CAJ全文  下载PDF全文 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | On the Inherence of the Stylizing of Talking and Telling in Gesar(格萨尔) and on the Characteristics of the Art's Melody | | | WANG Shi (School of Music and Dancing;Northwest University of Nationalities;Lanzhou 730030;China) | | | The libretto of literature and the melody and rhythm of music in the epic格萨尔 were shaped by absorbing and using for reference the contents and patterns of the madrigal, folk songs and bandit songs, all of which were prevailed in the agricultural areas and pasture in Tibet and therefore were prominently featured by regional characteristics. The style of three paragraphs each with two sentences in folk songs in singing have been evidenced just as the music forms of ABC variations in the epics. In addition, the repetition of the main paragraph or the changing repetition of the first paragraph, furnishes the singers with the existed structural model for their extemporaneous performance, just by which can the artists or singers place the words and sentences needed for their impromptu and then finish their presence.
【Keyword】：Gesar(格萨尔);libretto structure;melody of music;the inherence of stylizing |
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