| | | | | 朱怀镜形象变化及其原因初探 | | | 陈爱平 | | | 《国画》中的朱怀镜是一个走失在"官道"上的迷路人,游戏在情场上的负心汉,彷徨于心迹历程的可怜人。而《梅次故事》将朱怀镜塑造成一个"清官",一个负责任的丈夫,一个坚守了自我的正人君子。前后简直判若两人,何以会发生如此大的变化呢?运用文本分析以及心理学、社会学等其他一些研究方法,对《国画》和《梅次故事》进行深入的分析,追本溯源,可知这种角色的改变其实源自创作主体内心的变化。
【作者单位】：郴州市北湖区人事局 湖南郴州 423000
【关键词】：《国画》;《梅次故事》;朱怀镜形象;变化与原因
【分类号】：I207.42
【DOI】：cnki:ISSN:1008-2042.0.2004-06-016
【正文快照】：
一一部《国画》使王跃文一夜走红,在两个月内,人民文学出版社连续印刷五次,印发十万多册,此后盗版发行更达到二百多万册[1],这在当代文学出版史上极为罕见。文艺界和评论界褒贬不一,焦点凝聚于朱怀镜这一形象。他究竟是一个怎样的人?这里,我谈点自己的看法。(一)走失在“官道” | | |
| | |  推荐 下载CAJ全文  下载PDF全文 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | A Preliminary Research of the Change of the Image of Zhu Huaijing and its Causes | | | CHEN Ai-ping (Personnel Bureau of the North Lake Region of Chenzhou;Chenzhou 423000;China) | | | In Traditional Chinese Painting, Zhu Huaijing is depicted as a loser who gets lost on the government-financed road, an irresponsible lover who juggles in love affairs, and a poor fellow who wanders in the course of true-state of mind. While in Mei Ci's Story, he is molded as an honest and upright official, a responsible husband, a man of moral integrity who sticks to himself. He is quite a different person in these two novels. Why is he so different in two works? By carrying on deep analysis of Traditional Chinese Painting and Mei Ci's Story with the use of such research approaches as text analysis and psychological sociology, etc. , we will know the change of this kind of role actually stems from the change of the creative innermost of author.
【Keyword】：Traditional Chinese Painting;Mei Ci's Story;image of Zhu Huaijing;change and its causes |
| | | | | | 1 | 王跃文
,张廷安; 梅次故事 [J];领导科学; 2002年01期 | | 2 | 王跃文; 拒绝游戏 [J];书屋; 1999年02期 |
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