| | | | | 汉语与明清诗学中的主题学方法 | | | 王立 | | | 明清诗学对诗文因袭雷同的指摘,或为那些启发了后出名句的原创之作不平,或关注特定意象话语与题材、母题间联系,或指出某一时代创作风习及其同特定语汇关系。他们往往把雷同近似现象,归结为作诗有所本积习的必然,是可随时代递迁自然解决的。人们较多地以带有新创标准审视前代诗作。许多新感受、题材和主题,被置放到小说戏曲中来表现。这也启发我们对汉语之于文人抒情文学的联系和易于引起创作惰性,予以更多关注。
【作者单位】：大连大学语言文学研究所 辽宁大连116029
【关键词】：明代诗学;诗歌意象;因袭雷同;套语;主题学
【分类号】：I206.2
【DOI】：CNKI:SUN:FJSX.0.2008-03-006
【正文快照】：
主持人的话:语言和文学,本是共同在场的。文学因语言而获得存在形态,语言因文学而丰富自身,这决定了语言和文学不可剥离的关系。但在国内的语言研究和文学研究格局中,语言和文学较多地被分隔在相互疏离的话语场。2007年6月,中国南开大学和美国威斯康星大学联合举办的“汉语与中 | | |
| | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | Chinese and Methods of Thematology in Ming-Qing Poem'S Theory | | | WANG Li(Language and Literature Institute;Dalian University;Dalian 116029;China) | | | Ming-Qing poem's theory' censure to follow poetic prose similarity reseats for original works that enlighten to produce well-know phrases later,or pays close attention to relationship between image's utterance and the subject,motif,or points out the relationship between creative manners and customs and relative certain vocabulary in a certain era.They often regard similar phenomenon as the necessity to creat poems through long-standing practice and the phenomenon can be resolved naturally with the changing of time.Most people consider about the past poems with criterions of new creation.Many new feelings,subjects and themes are put into novels and operas for elaboration.This also enlightens that we give more attention to relationship between Chinese and lyric literature of literatic and creative inertness of Chinese that is easily produceal.
【Keyword】：Ming dynasty poem's theory,poetical image follow or similar,polite formula,thematology |
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