| | | | | 论玄学与谢灵运山水诗 | | | 王辉斌 | | | 晋宋是玄学的鼎盛时期,随着宋文帝对“四馆”的设立,玄学一跃而成为了当时的“官学”。玄学助长了当时社会的归隐之风,使诸多文化精英将目光投向了山水田园。在这种文化背景下问世的谢灵运的山水诗,乃具有明显的“玄言特色”。而采用“三段式结构”进行创作,在诗中“言必称玄”,则是谢灵运山水诗受玄学影响所呈现出来的最为明显的特点。刘勰《文心雕龙·明诗》之“庄老告退,而山水方滋”的说法,并不符合山水诗发展的历史真实。
【作者单位】：襄樊学院中文系 湖北襄樊441053
【关键词】：谢灵运;玄学思想;山水诗;三段式结构;言必称玄
【分类号】：I207.22
【DOI】：CNKI:ISSN:1671-6639.0.2006-04-008
【正文快照】：
在先唐文学史上,生当晋宋之际的谢灵运,是使山水诗从附庸走向蔚为大观而作出了历史性贡献的一位著名诗人。所谓“附庸”,是指山水诗在西晋末年和整个东晋一代的玄言诗中,所扮演的乃是一种无奈的角色。即是说,在兴盛于这一时期的玄言诗中,虽然也有不少描写山水的句子,但那纯粹是一种点缀,一种陪衬,一种属于“次”而非“主”的景物撷取。而谢灵运则以其非凡的艺术才华,并着眼于山水审美意识的角度,使对山水自然的描摹独立于玄言诗之外,从而开创了一个以山水诗为主体特征的崭新文学时代。从崇尚玄学到把自然美景引入诗中,开拓与塑造出诸多生动… | | |  推荐 CAJ下载  PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | On Metaphysics and Landscape Poems by Xie Lingyun | | | Wang Huibin (Chinese Department Xiangfan College;Xiangfan Hubei 441053;China) | | | The Jin and Song Dynasties were the periods of the prime and prosperity of Metaphysics. Since the foundation of "Siguan" by Emperor Wen of the Song Dynasty, metaphysics had become the "official learning" of that period promptly. Metaphysics encouraged the social trend to withdraw from the society and live in solitude at that time, drawing many intellectuals' attention to the natural scenery. The landscape poems by Xie under this cultural background were strongly characterized by its "metaphysical language". The most striking characters influenced by Metaphysics in his poems are the "structure of three-paragraph" and "no words without the thoughts of Metaphysics". The statement "With the retreat of Zhuangzi and Laozi, there came the landscape poems" in Ming Poem, Wenxindiaolong by Liu Xie, isn't in keeping with the historical development of the landscape poems.
【Keyword】：Xie Lingyun;thought of Metaphysics;landscape poem;structure of three-paragraph;no words without the thoughts of Metaphysics |
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