| | | | | 略论晚唐艳体诗的兴盛 | | | 张爱军 | | | 晚唐咸通之后,艳情诗风靡一时。一方面,诗人们为避世和解忧而把心灵的寄托转向歌楼舞榭,在苦闷的心理中寻求感官的刺激以为排遣,抒写风流缱绻的艳诗。另外一方面,社会风气极度腐化,士风放诞无禁。艳诗的倡行其道就是受到这一时期流连声色、纵情逸乐的时风的影响。最后,晚唐时期功利注意文学退潮,代之而起的是重视表达个人的内心世界,由言经世之志转向缘个人之情。失去了诗教势力的管束,艳诗在晚唐故能倡行其道。 【作者单位】:河北能源职业技术学院 河北唐山063000 【关键词】:晚唐;艳体诗;兴盛 【分类号】:I207.22; 【DOI】:cnki:ISSN:1008-2638.0.2005-05-034 【正文快照】: 晚唐咸通之后,宦官专权、藩镇割据愈演愈烈,王纲解纽,儒学衰落,在这种生活状态中,有部分士人狎妓冶游,流连于红烛芳筵,沉酣于红巾翠袖,寄情闺阁。使艳情诗风靡一时,艳体诗的发展,激起了部分士人的反对,黄滔就在《答陈磻隐论诗书》中指出:“诗本于国风王泽,将以刺上化下;苟不如是,曷诗人乎?”又:“咸通、乾符之际,斯道隙明。郑卫之声鼎沸,号之曰今体才调歌诗。援雅音而听者懵,语正道而对者睡。噫,王道兴衰,幸蜀移洛,兆於斯矣。”[1]慨叹唐末诗风之弊。吴融的《禅月集序》与这些意见颇为接近,云:“善善则咏之,恶恶则风刺之。苟不能本此二者,韵… | | | 推荐 CAJ下载 PDF下载 | | | CAJViewer7.0阅读器支持所有CNKI文件格式,AdobeReader仅支持PDF格式 | | | | A brief discussion on prevalence of love-style poem in late tang dynasty | | | ZHANG Ai-jun(Hebei Vocational & Technical Institute of Energy;Tangshan 063000;China) | | | After Xiantong of the late Tang dynasty,love poems in flowery became fashionable for a while.On one hand,the poets turned their spiritual sustenance to the halls for the performance of songs and dances for escaping from reality and allaying sorrows,they can seek sensual stimulations in their depressed mentality to divert themselves from loneliness or boredom,so they began to express romantic and tender love poems in flowery in writing.On the other hand,the social morale was critically degenerate,and the conduct of scholarofficials was unrestrained and wild in speech and behavior.The rampant love-style poems in flowery were just influenced by the moods of the times of lingering on music and women and indulging themselves in comfort and pleasure.Lastly,the utilitarianism literature in the late Tang Dynasty was ebbing,while another kind of poem replaced it gradually.This kind of poem emphasized on expressing one's inner world,and turned talking his ambition to meeting his emotion.Because of getting out of the control of forces of poem education,love-style poems in flowery were booming up day by day. 【Keyword】:The late Tang Dynasty;love-style poem in flowery;prevalence |
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