| | | | | 《伤心咖啡馆之歌》中“狂欢节乌托邦”的诞生与灭亡 | | | 林斌 | | | 《伤心咖啡馆之歌》(1943)是美国南方女作家卡森·麦卡勒斯的一部中篇力作。许多评论家都把它看做表现人类"精神隔绝"的普遍生存状态的一个生动寓言,却往往忽略其颠覆现实世界的乌托邦色彩。巴赫金的狂欢化理论为分析"咖啡馆"的地点隐喻和罗锅李蒙的形象塑造中蕴涵的狂欢精神提供了一个独特视角,作品中"狂欢节乌托邦"的诞生与死亡过程显示出文本对美国南方等级社会主流意识形态的颠覆立场。
【作者单位】：北京大学外国语学院 北京100871
【关键词】：伤心咖啡馆之歌;卡森·麦卡勒斯;巴赫金;狂欢化理论
【分类号】：I712.074
【DOI】：cnki:ISSN:1002-722X.0.2004-01-018
【正文快照】：
在20世纪美国文学史上,卡森·麦卡勒斯(CarsonMcCullers,1917-1967)是一位成就突出的现代南方女作家。其中篇小说《伤心咖啡馆之歌》自1943年问世以来一直被誉为一部扛鼎之作。作品最初于1943年8月在《哈泼斯市场》杂志发表,直到1951年被收入《伤心咖啡馆之歌:卡森·麦卡勒 | | |
| | |  推荐 下载CAJ全文  下载PDF全文 | | | CAJViewer7.0阅读器支持所有CNKI文件格式，AdobeReader仅支持PDF格式 | | | | On the Birth and Death of“Carnivalesque Utopia”in The Ballad of the Sad Café | | | LIN Bin(College of Foreign Languages;Beijing University;Beijing;100871;China) | | | The Ballad of the Sad Café, a novella by Carson McCullers in 1943, is generally regarded as an allegory of universal modern human existence of“spiritual isolation.”However, critics usually fail to recognize in it the utopian ideal that temporarily threatens to subvert the world of reality. It is the aim of this paper to offer a focused analysis of the metaphorical significance of the café as the novella's setting and the characterization of Cousin Lymon from the Bakhtinian perspective of carnivalization. The effort to reconstruct the birth and death of a“Carnivalesque Utopia”in this work reveals a subversive sub-text that opposes the mainstream ideology and value system of the Southern American society.
【Keyword】：The Ballad of the Sad Café;Carson McCullers;Bakhtinian;carnivalization |
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